Mastering Core Concepts

	SOFTWARE TRAINING COURSES adobe photoshop

	TRAINING COURSES AVAILABLE ON CD OR BY SUBSCRIPTION TO ONLINE UNIVERSITY CLICK ON BLUE TITLES BELOW TO VIEW SAMPLES OF EACH SUBJECT
		Adobe Photoshop - Mastering CORE Concepts Adobe Photoshop - Mastering CORE Concepts presents all the essential aspects of digital imaging in easy to understand terms. This course will prove to be your most important resource for Photoshop Training. Whether you are using Photoshop Elements or the latest version of Photoshop CS, you'll discover key techniques to get the most from these great image editing applications. From computer set-up and monitor calibration to image correction, printing and web, this course has it all! To begin learning simply click on one of the movie links. Adobe Photoshop – Mastering Core Concepts Program Overview Building Blocks of Computer Images Introduction - Defining the Pixel How Computers Store Color Info - pt. 1 How Computers Store Color Info - pt. 2 Looking at Color in Real World Images Creating Shading with Pixel Dithering Creating Colors with Pixel Dithering Hue / Saturation and Brightness Tonal Range: Highlights-Midtones-Shadows What's Next Types of Raster Images Introduction Characteristics of Bitmap Images Characteristics of Grayscale Images Characteristics of True Color Images Characteristics of Indexed Color Images Characteristics of CMYK Images File Sizes of Raster Images on Disk Summary and Observations Monitor Resolution and Aspect Ratio Introduction Determining Monitor Resolution Observations When to Change Your Screen Resolution Resolution of On-screen Images Monitor Aspect Ratio Summary Calibrating and Profiling the Monitor Introduction Setting the Screen Resolution Setting the Color Quality Setting the Refresh Rate Setting the Desktop Color Calibrating with Adobe Gamma - pt. 1 Calibrating with Adobe Gamma - pt. 2 Calibrating with Adobe Gamma - pt. 3 Calibrating with Adobe Gamma - pt. 4 Creating a More Accurate Monitor Profile Summary Image Color Management Color Management in Photoshop Elements Color Gamut Elements - Additional Options Color Management in Photoshop CS Color Management Policies Summary Scanning Fundamentals Introduction Scanning Resolution - The Magic Number How a Scanner Works Hardware Installation and Drivers What is TWAIN Determining Our Magic Number - pt. 1 Determining Our Magic Number - pt. 2 The Importance of Optical Resolution The 72 spi Scan Naming and Saving the Test Scans Comparing the 50 spi and 200 spi Scans Printing the Test Scans at High Quality Evaluating the Test Prints The Magic Number for Other Media The Magic Number for Commercial Printing The Magic Number for Web Graphics Image Restoration and The Magic Number Scanning Line Art Summary Resizing Digital Images Introduction Viewing On-screen Images Resizing Images by Rescaling Resizing Images by Resampling Sharpening with the Unsharp Mask Filter Why 72 ppi is Irrelevant on the Screen Quick Summary of Rescaling - Resampling Using Both Rescaling and Resampling Image Resolution and Viewing Distance When not to Resample an Image Summary Color Calibrating the Printer Introduction Calibrating a 4-Color Inkjet Printer Updating the HP1200 Printer Driver Obtaining a Printer Calibration Image Disabling Windows Color Management Disabling Automatic Driver Settings Examining the Calibration Test Image Making the First HP1200 Test Print Evaluating the First HP1200 Test Print Correcting the HP1200 Output Settings Calibrating a 6-Color Inkjet Printer Printers on My Computer Installing the Epson R340 Inkjet Printer Configuring the Epson R340 Printer Calibrating the R340 in Photoshop Making the First R340 Test Print Evaluating the First R340 Test Print Correcting the R340 Output Settings Evaluating the Second R340 Test Print Setting New Defaults for the R340 Summary Calibrating the Scanner Introduction What to do with Your Perfect Print Scanning in Automatic Mode Evaluating the Automatic Result Correcting the Automatic Scan Switching the Scanner to Manual Mode Scanner Configuration Settings Scanning the Calibration Target Evaluating the First Manual Scan Adjusting at the Scanning Stage Evaluating the Manually Adjusted Scan Scanning with Image Color Management Evaluating the First ICM Scan Manually Adjusting the ICM Scan Evaluating the Manual ICM Scan Summary of our Test Scans Saving the Color Corrected Scans Which is Better - Color Controls or ICM Printing our Calibrated Scans Evaluating the Prints Scanning with No Color Correction Evaluating the No Color correction Scan Adjusting the Scanned Image Saving the No Color Controls Scan Saving Calibrated Settings Scanning with a Calibrated System Summary From Pixels to Printer Dots Introduction Gray Shades from Black and White Printers How Inkjet Printers Work How Laser Printers Work The RIP - Raster Image Processor How Halftone Spots are Created Halftone Spots from a 2400 dpi Printer 256 Shades from a 1200 dpi Laser Printer Scanning Resolution and Line Screen The Shape of Halftone Spots Halftone Screen Angles How Color Images are Converted to Printer Dots Analyzing CMYK Ink Contributions Taking a Closer Look Color Halftones and Screen Angles Summary My Philosophy on Terminology What’s Next Making Selections Introduction Making Rectangular Selections Simple Circular Selections The Lasso Tool The Magnetic Lasso Tool The Polygon Lasso Tool The Magic Wand Tool The Magic Selection Brush Masking with the Magic Selection Brush The Color Range Command - pt. 1 The Color Range Command - pt. 2 Compositing into Another Image Masking Images in Photoshop CS The Extract Filter - pt. 1 The Extract Filter - pt. 2 The Extract Filter - pt. 3 Compositing the Llama and Zebra - pt. 1 Compositing the Llama and Zebra - pt. 2 Extracting with Elements - pt. 1 Extracting with Elements - pt. 2 Summary Straighten - Crop - Color Variations Introduction The Straighten Tool The Crop Tool Correcting Color with Variations Resizing to Make a 4 x 6 Inch Print Adjusting the Canvas Size Making a Photo Quality Print Fixing Keystoning Skewed Poster – A Case History Working with a Keystoned Image Using Ruler Guides Transforming a Selection with Distortion Cropping the Poster Resizing the Ad Sharpening with the Unsharp Mask Tool Summary Adjusting the Tonal Range Evaluating the Faded Photo Adjusting the Tonal Range using Levels Defining the True Shadow Areas Defining the True Highlights Combing - How to Compensate for Combing Using a Levels Adjustment Layer Adjusting the Midtones Restoring Details with a Layer Mask Summary Red Eye Removal - Tonal Range - Hue Correction Evaluating the Digital Photo Using the Red Eye Removal Tool Using a Levels Adjustment Layer Using a Hue-Saturation Adjustment Layer Creating a 4x6 Inch Photo Quality Print Summary Dealing with Difficult Highlights and Shadows Examining a Difficult Image Failure to Adjust with Levels Multiply Blend Mode to Darken Highlights Screen Blend Mode to Brighten Shadows Adjusting Shadows Using a Layer Mask Toggling the Layer Mask Off and On Viewing the Mask in the Image Window Rubylith Overlay Inside the Layer Mask Adjusting Highlights Using a Layer Mask Reactivating Unmasked Areas Adjusting the Hue in Unmasked Areas Straightening the Horizon Cropping to a Preselected Size Summary Photo Restoration and Retouching Scanning at Very High Resolutions Comparing a 200 spi to a 600 spi Scan Mechanics of the Clone Stamp Tool Mechanics of the Healing Brush Tool Using the Spot Healing Brush Fixing Tears with the Healing Brush Tool When to Favor the Clone Stamp Tool When to Favor the Healing Brush Tool Techniques for Professional Retouching Summary Removing Dust and Scratches Introduction Assessing the Flawed Image Impracticality of the Clone Stamp Tool The Dust and Scratches Filter Adjusting Radius and Threshold Removing Scratches and Larger Flaws Cropping with a Fixed Size Marquee Making a Photo Quality 4 x 6 Inch Print Saving the Retouched Image Portrait Perfection Assessing the First Flawed Portrait Working Non-Destructively with Layers Sample All Layers with Cloning The Lighten Blend Mode with Cloning Reducing Corrections with Opacity Sample All Layers and Healing Brush Saving the Perfected Portrait Assessing the Second Flawed Portrait Correcting the Color balance The Merit of Auto Color Correction Making Teeth Whiter Removing Skin Blemishes Saving the Retouched Portrait Comparing Before and After Summary Optimizing Images for the Web Introduction Saving Images in the JPG Format Examining the Color Profile Cropping Out Unnecessary Image Areas Resizing the Image for the Web Page Sharpening the Resized Image Saving Images with Save for Web Image Optimization with JPG Determining Download Times for Images Color Profiles in Optimized Images Web Images and Computer Environments Resizing Images in Save for Web Previewing Optimized Images Saving the Optimized File Review - Saving Photos for the Web Optimizing Artwork Images - pt. 1 Optimizing Artwork Images - pt. 2 Examining Browser Dither Previewing the GIF Image Saving the Optimized GIF Image Images on Colored Web Pages Images on Textured Web Pages Creating a GIF Image with Transparency Viewing the Transparent GIF in Explorer Color Fringes in Transparent GIFs Evaluating a Matted GIF Image Eliminating the Color Fringe Optimizing Gradients Summary Actions and Automaton Introduction The Actions Palette Disabling Color Management Policies Default Actions - pt. 1 Default Actions - pt. 2 Creating an Action from Scratch Applying an Action as a Batch Job Converting PowerPoint Presentations - pt. 1 Converting PowerPoint Presentations - pt. 2 Applying Our Action as a Batch Job Preparing Photos for Tribute Videos Preparing Images for Digital Video - pt. 1 Preparing Images for Digital Video - pt. 2 Preparing the Horizontal Images - pt. 1 Preparing the Horizontal Images - pt. 2 Batch Process - Contact Sheets Batch Process - Web Sites - pt. 1 Batch Process - Web Sites - pt. 2 Additional Batch Operations Automation in Photoshop Elements Summary Preparing Files for Commercial Printing Introduction Starting Photoshop with its Default Settings Configuring Photoshop's Color Settings Advanced Mode Color Settings Configuring the CMYK Working Space Saving Custom CMYK Settings Accessing Color Settings Configuring the Scratch Disks Preparing the Image - Open the File Soft Proofing - Gamut Warning Correcting with Adjustment Layers Additional Proofing Options Review - RGB to CMYK Preparation Converting from RGB to CMYK Saving the CMYK File Summary Adobe Photoshop - Mastering Core Concepts Overall Summary Credits About Myron Achtman
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